The Manley Steelhead sets the standard for tube phono stages. It is very flexible and user friendly doubling as a preamp if necessary - and a very good preamp at that! The Steelhead delivers a pitch black background, is as transparent as it gets, offers great clarity and is lively sounding.
The use of a JFET in the first gain stage allows the Steelhead opt be so dead quiet even with the tubes. The Steelhead is single ended - no balanced capabilities but who needs balanced when single ended sounds this good!
The Manley Steelhead should be at the top of any audiophiles list of phono preamps!
We debuted to the world a killer frikkin' cool phono stage at CES 2001.
It was called, aquatic naming theme continuing, The Steelhead®, as it
is an "upstream" device and has a very clever MC variable load auto
tranny that Mitch Margolis
(on-staff Manley hifi designer) designed and our very own Manley
Magnetics department executed (which makes the MC stage so very clever).
Iron=transformer="steel" makes sense to me...
It has two Moving Coil inputs with selectable impedance load 25, 50,
100, 200 and 400 Ohms via Mr. Clever "Steelhead" transformer/autoformer.
It also has variable and selectable Moving Magnet input impedances too
25, 50, 100, 200 Ohms and 47 kOhms. Very nifty is the
selectable-dial-able-in-able-from-the-faceplate-able capacitive loading
for all three of the MM & MC inputs 0 to 1100 picofarads in 10
picofarad steps. Very cool! Equalize baby! TEN picofard steps! Wow! Now
you can really dial this in for perfect cartridge matching with ZERO
penalty. None of this switching detracts from the sound quality or adds
any extra anything to the signal path. Rest assured.
It's got six tubes. 2 x 6922 plus 4 x 7044 or 5687. It's got a big
honkin' volume control. It can drive an amplifier directly if you want,
if you don't "do" digital. Hey and if you happen to have three
turntables set up, we give you 2 x MC and 1 x MM selectable inputs! It's
got variable and fixed volume outputs. And All-tube really low Z tube
buffered outputs. Like inherently 20 Ohms plus the little 47 Ohm "OK
drive those high capacitance audiophile cables why doncha" resistor, so
it's real output impedance is only 67 Ohms. No wanky cathode follower
(oh bor-ing) output here like the other guys. We got your real low
impedance all-tube outputs right here! It will drive anything and
everything. Long cables, no problem.
It's got selectable gain 50, 55, 60, 65dB on a switch that even
auto-mutes as you change it so no nasty bangs. Gain switch markings are
referred to from the input of the 1st active electronics at 1 kHz to the
fixed output @ 10k load, regardless of whether source is MM or XFMR
stepped-up MC. It is not really practical to include MC step-up gain on
the front panel markings due to the variable SOURCE impedances of the MC
cartridges and the variable LOADING that the input XFMR will have on
any given cartridge. All of this total MC gain variability should be
confined to about 3 to 12 dB of range though. XFMR step-up gain plateaus
as the load Z on a given MC cartridge is optimised...producing no
VOLTAGE gain but in fact a bit more POWER gain... All this means you
should set a load Z which sounds best with your particular MC cartridge
and adjust gain to suit your system's operating level. Whatever you
like. You will not blow anything up.
(Bottom line: there is plenty of gain... enough to do justice to your fave lo-output MC cartridges).
It's got a mute switch. It's got a "just turn it down while I cue up so I
don't throw my woofer cones across the room but I still want the same
volume I was listening at before I flipped the side" DIM switch. And
what goes with DIM better than SUM which would be the MONO button... It
has a killer hyper-regulated outboard power supply that plugs in on the
huge-est connector you ever saw. And you can just hit the "standby"
button to keep everybody off while you take a small holiday to Tahiti. A
backlit "MANLEY STEELHEAD" illuminated badge reflects back to
vinyl-days-of-yore while the millions of BLUE LEDs remind you that this
is modern tube engineering design, baby!
The VARIABLE Outputs are controlled by the precision film dual NOBLE®
volume control. They are SMOOTH action these days as the fashion went
against the detented ones.
This is a tweak-o-holic tube-lover's dream....
Get a detailed circuitry tour of The Steelhead!
Product Update 5-2003
Let's talk about the
LINE input some more: There is a stereo LINE input included as standard. This means
you can drive your amplifiers directly from the Steelhead's Variable
Outputs and select whether you are listening to the Steelhead phono
stage or any LINE source (CD, SACD, Tape, Tuner, a whole 'nuther
preamplifier's main line output, or better yet, use
a Manley SKIPJACK to add up to 4 more LINE inputs into your Steelhead!) This feature turns the hifi
world upside down. It is novel.
Other features we should mention:
- LINE input comes
after RIAA stage, but before the volume control and Variable output
white follower buffer. The LINE button on faceplate selects LINE input or
the output from the built in RIAA stage.
- There are clever anti-RFI grounding options
user selectable via dip switches on the back for those in high Radio
Frequency Interference zones. If you are picking up a local radio
station through your system, try playing with these switches.
- All the inputs show up via standard RCA jacks.
- There is an additional pair of RCA Outputs for
those bi-amping or driving amps and a subwoofer directly from the
Variable Outputs. This second set of outputs is wired in parallel to the
Variable Outputs. If you need them wired to the Direct Outputs, we can
do that too upon request.
- The motorised volume control has a smooth action when turned by hand or one can control it via the REMORA REMOTE push buttons.
- Badge illumination uses nice looking white LEDs which will never burn out.
- Output Muting relays changed to short outputs if power is turned off.
- Output Muting relays short out the outputs if power is turned off preventing unwanted bangs or pop noises.
- The SLEEP button puts the unit into standby conserving power and tube life.
- The audio (audible) circuitry has remained largely unchanged since the first Steelhead shipped in 2001.
- Vacuum tube complement: 6922 SOVTEK Russian x 2 (gain) plus JAN NOS GE 7044 or 5687 x 4 (output buffers)
- Fuse type and ratings @ 117 VAC operation: 1.5 Amp 3AG slow-blow mains fuse
0.5 Amp 3AG slow-blow logic fuse
- Fuse type and ratings @ 230 VAC operation: 0.75 Amp 3AG slow-blow mains fuse
0.25 Amp 3AG slow-blow logic fuse
- Moving Magnet input impedance: 5-step user adjustable via fixed low-noise resistors.
25, 50, 100, 200 and 47000 Ohms.
- Moving Coil input impedance: 5-step user adjustable via multi-tap autoformer:
25, 50, 100, 200 and 400 Ohms.
- Input Termination Capacitance: Front Panel Selectable in 10 picofarad steps from 10 to 1100 pF (1.1nF)
Residual input capacitance less than 40 pF.
- Gain: 4-step user adjustable, 50, 55, 60 and 65 dB active gain at 1 kHz referred to the FIXED output jack into a
10 kOhm load. Additional gain available via the MC input's step-up autoformer. See Owner's Manual for discussion.
- Deviation from RIAA curve: Less than +0.5 / -0.3 dB from 20 Hz to 20 kHz at any gain setting.
Typically less than ±1 dB from 10 Hz to 100 kHz
- Inter-channel differential phase: Less than 4 degrees from 20 Hz to 20 kHz at any gain setting.
Typically less than 2 degrees.
- Inter-channel differential gain: Less than ±0.5 dB from 20 Hz to 20 kHz at any gain setting.
- Dynamic Range: 101 dB @ 1 kHz, 1% THD measured with 200 Ohm source, 47 kOhm input, @ 55dB Gain
97 dB @ 1 kHz, 0.1% THD
- THD: 0.0042% at 1V output @1kHz
- REMORA RF REMOTE: controls motorised volume control up/down functions; uses 9v battery
- Maximum LINE input level: +30.6dBu @ 1KHz for an output of +29.3dBu @ 0.07% THD
26.5Vrms @ 1KHz for an output of 22.8Vrms @ 0.07% THD
- Maximum Output: +27dBm @ 1KHz with 3% THD into 100 kOhm load
- FIXed Output impedance: 150 Ohms. Minimum suggested load greater than 1500 Ohms.
- VARIable Output impedance: 75 Ohms. Minimum suggested load greater than 600 Ohms.
| ||Variable Output|
|MM Noise (S+N+D) / (N+D):
|200 Ohm source, 47 kOhm input
A-weighted Referred to 2.54 mV
rms @ 1 kHz
|MC Noise (S+N+D) / (N+D):
|100 Ohm source, 100 Ohm input
A-weighted Referred to 0.5 mV
rms @ 1 kHz and rated Input Z
Power consumption: 100 watts
Outboard Power Supply: is factory set for 100V, 120V or 220-240VAC operation
for original destination country's mains voltage.
Operating Mains Voltage: 120 to 240VAC operation changeable with
power transformer re-wiring via internal switch and fuse value change.
100VAC operation changeover achieved via rewiring of power transformer
Mains Voltage Frequency: 50~ 60Hz
Unit weight: Steelhead: 15 lbs. - PSU: 18 lbs.
Chassis dimensions: Steelhead: 19 wide x 3.5 tall x 15.5 deep -
PSU: 13.5 wide x 4.5 tall x 11.375 deep
Minimum mounting allocation footprint including all projecting parts and controls:
Steelhead: 19 wide x 4.125 tall x 18 deep -
(allow an additional 6 inches depth for PSU umbilical cord projecting out in the center)
- PSU: 13.5 wide x 4.625 tall x 12.5 deep
- (allow an additional 6 inches depth for PSU umbilical cord projecting out in the left)
- Your phono input cables need to be able to spread 9" apart.
- Your LINE input RCA cables need to be able to spread 12.250" apart.
- Your Output cables need to be able to spread 15" apart.
- The chassis itself is 17" wide. The faceplate is 19" wide.