{"product_id":"audiosolutions-figaro-bl2-2-way-bookshelf-speaker","title":"AudioSolutions Figaro BL2 2 Way Bookshelf Speaker","description":"\u003cp class=\"MsoNormal\"\u003eIn addition to the 4 standard model configurations available , you can also custom configure your AudioSolutions Figaro Speakers to fit your personal style and taste. Built them with an assortment of colors and custom upgrades.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eClick here and create the speakers of your dreams!\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ca href=\"https:\/\/my.audiosolutions.lt\/,action.templates_list,gid.1\"\u003ehttps:\/\/my.audiosolutions.lt\/,action.templates_list,gid.1\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003ePricing varies in accordance with your custom configuration. We can help you configure your speakers or you can do it yourself at the above link. Call us with your custom configuration code or for assistance creating your own speakers at 406-285-3910\u003c\/p\u003e\n\u003cp\u003eMeet the all-new Figaro! An evolution of our most successful speaker series. Five years have passed since the original Figaro was introduced in 2018 and yet we are pushing the limits once again. The new Figaro is vastly improved in all aspects. Embrace a new modern design with brass metal accents and satin color options. We give you a remarkable tandem of performance and design where science meets art.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMeet the all-new Figaro! An evolution of our most successful speaker series. Five years have passed since the original Figaro was introduced in 2018 and yet we are pushing the limits once again. The new Figaro is vastly improved in all aspects. Embrace a new modern design with brass metal accents and satin color options. We give you a remarkable tandem of performance and design where science meets art.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTwo-way speaker system designed with \u003cstrong\u003eMini-Horn\u003c\/strong\u003e loaded silk dome tweeter and our unique midbass driver which works in extended mid-band effectively making it an \u003cstrong\u003eExtended-Band\u003c\/strong\u003e driver, allowing us to push crossover frequencies of the drivers further away from the most critical area for the human ear - 1000-1500Hz and thus reduce crossover distortions and perception of them. Two whole new re-designed \u003cstrong\u003eER (Extra Rigid)\u003c\/strong\u003e hard paper cone bass drivers deliver faster and deeper bass response and improve overall sound clarity.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eCabinet-In-a-Cabinet\u003c\/strong\u003e enclosure system taken from upper scale Virtuoso series contributes to a complex closed system that eliminates unwanted resonances by turning acoustical energy into heat, allowing all drivers to perform with precision and dynamics. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFigaro features outriggers with height-adjustable spikes, \u003cstrong\u003eWBT NextGen\u003c\/strong\u003e connection terminals with bi-amping for models L and XL, and also a whole new 6 unique never seen before satin finishes with brass metal accents.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecification\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions (HxWxD)\u003c\/strong\u003e : 400mm x 265mm x 402mm; 15.75 x 10.43 x 15.83in\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e : 15 kg\/33 lbs each\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping weight\u003c\/strong\u003e : 18 kg\/39.7 lbs each\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e : 90.5 dB @ 2.83V 1m\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuggested amp power\u003c\/strong\u003e : 10-200 W;\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e : nominal 4,0 ohms;\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCrossover frequency\u003c\/strong\u003e : 4000 Hz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency response (in-room environment)\u003c\/strong\u003e : 39-25000 Hz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrivers\u003c\/strong\u003e : 19mm silk dome tweeter, 18.3cm ER paper cone mid-bass driver\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMini Horn Loading\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFigaro utilizes a \u003cstrong\u003eMini-Horn\u003c\/strong\u003e loading technology to cope with the infamous soft domes problem - cone breakup and cone \"walk\". Cone breakup and \"walk\" happens when a soft dome tweeter is being driven hard at high signal levels. Distortions rise exponentially because: \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ea)\u003c\/strong\u003e when a certain point in signal level and thus dome acceleration\/amplitude is reached, the center part of the dome flexes in an uncontrolled fashion due to the silk's soft nature\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eb) \u003c\/strong\u003edifferences in air pressure behind the dome and in front of the dome creates a nonlinear environment and overcome suspension ability to prevent axial movement of the cone\u003c\/p\u003e\n\u003cp\u003eOur \u003cstrong\u003eMini-Horn \u003c\/strong\u003eis based on acoustical dampening which happens at the frontal dome area. We carefully measure at which frequencies the dome starts to flex and emit an avalanche of distortions. \u003cstrong\u003eMini-Horn\u003c\/strong\u003e then is designed and manufactured according to desired specifications to dampen those frequencies. The result is a proportional dampening of the tweeters’ movement. The louder it plays the more dampening and air pressure on the frontal area it gets from its own emitted sound. It is described as acoustical impedance and is highly dependent on the \u003cstrong\u003eMini-Horn's\u003c\/strong\u003e shape. Another positive by-product of this process is that \u003cstrong\u003eMini-Horn\u003c\/strong\u003e adds sensitivity and thus the efficiency of the driver.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExtended Band Midrange\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe human ear has uneven sensitivity to different frequencies. We are naturally less sensitive to high frequencies and especially to low frequencies. The exception is sensitivity to mid frequencies in the 1000-2000Hz band due to evolution. Simply put - in nature, the sounds of life-threatening events lie more or less in 1000-2000Hz diapason, so naturally, we are most sensitive to that so we could stay alert. The downside of this phenomenon in this rather safe modern world is that we can hear and pinpoint the slightest imperfections in reproduced sound at those frequencies. And imperfections in sound reproduction are called \u003cstrong\u003edistortions.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMost of the manufacturers calculate crossover points in exactly this area of 1000-2000Hz. Since each driver has its natural spectrum of distortions we actually can hear the transition from one driver to another, let alone an additional distortions caused by the crossover phase shift. The resulting sound is described as an unnatural or multi-way sound. It is not possible to completely eliminate natural-born driver's distortions or the phase shift in crossover which is mathematically tied to how db\/oct crossover is calculated. The only way to fight this is to utilize crossover points \u003cstrong\u003eaway from\u003c\/strong\u003e this region of 1-2kHz. For that reason, we created an \u003cstrong\u003eExtended Band Midrange\u003c\/strong\u003e driver. Crossover points of 400-4000Hz are one octave away from the sensitive band. Not only this solution helps with crossover distortion perception but the listener gets uniform, unchopped sound coming from one driver with virtually zero phase shift.  Homogenous sound in our opinion is one of the biggest goals in the audio industry.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet in a Cabinet System\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe new Figaro! speakers share a \u003cstrong\u003eCabinet-In-a-Cabinet\u003c\/strong\u003e enclosure design. This system is based on two separate enclosures - an inner cabinet and an outer cabinet bonded together by a thin layer of Polyurethane. The inner cabinet is manufactured of a lightweight yet rigid material that controls primary vibrations by absorbing acoustical power coming from the drivers. Then a thin layer of viscous Polyurethane situated in between the inner and outer cabinets acts as a dampening layer which converts vibrations born in the inner cabinet to heat. The residue of vibrations is then dampened by the outer cabinet which is manufactured of a much heavier and less dense material that acts as a mass damper.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eER Cone Base Drivers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSecond generation Figaro speaker utilizes re-designed bass drivers with \u003cstrong\u003eER paper cones\u003c\/strong\u003e. Er stands for Extra Rigid paper. It is actually visible on the cone surface as flakes of hard pulp and fibers and is natural to rigid cones. \u003cstrong\u003eER paper cones\u003c\/strong\u003e were chosen due to all the pros of traditional paper cones and the pros of hard material cones. Hard cones (metal, ceramic, etc.) provide uniform push-pull movement where all cone's points act as a uniform piston which is desirable. Con is that hard cones have the potential to have early break-up points and ringing due to a lack of dampening properties inside the material itself. Paper on the other hand does not have break-up points as it is quite soft and flexible but it does not act as a piston, and usually, the edge of the paper cone are fluttering, and all cone is flexing. Having positive properties of paper and introducing hardening materials like sturdy fibers and hard pulp gives us a unique cone that acts as a piston, but at the same time does not have ringing or early cone breakup points. ER cones allowed us to introduce new piston-like bass drivers and of course our Extended Band Midrange.\u003c\/p\u003e\n\u003ch1\u003eWhat does it sound like???\u003c\/h1\u003e\n\u003cdiv dir=\"auto\" lang=\"en\" class=\"contents\"\u003e\n\u003cdiv class=\"break-words min-w-0 flex-1\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"prose dark:prose-invert inline leading-relaxed break-words min-w-0 [word-break:break-word] [\u0026amp;_\u0026gt;*:first-child]:mt-0 [\u0026amp;_\u0026gt;*:last-child]:mb-0\"\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe AudioSolutions Figaro BL2 is a substantial high-end stand-mount loudspeaker designed to sound far larger and more authoritative than its two-way format suggests. Its presentation is best described as vivid, spatially convincing, dynamically unrestrained, and refined rather than overtly analytical: it brings real physical weight to bass lines, a colorful and expressive midrange, and smooth, open treble without pushing detail aggressively forward. \u003cspan class=\"citation-nbsp\"\u003e\u003c\/span\u003e\u003cspan class=\"citation inline\"\u003e\u003cspan class=\"group\/trigger inline-flex min-w-0\"\u003e\u003cspan class=\"citation inline\" style=\"width: 97px;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"auto\" lang=\"en\" class=\"contents\"\u003e\n\u003cdiv class=\"break-words min-w-0 flex-1\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"prose dark:prose-invert inline leading-relaxed break-words min-w-0 [word-break:break-word] [\u0026amp;_\u0026gt;*:first-child]:mt-0 [\u0026amp;_\u0026gt;*:last-child]:mb-0\"\u003e\n\u003ch2 class=\"font-semibold leading-tight text-pretty mb-2 mt-4 [[data-has-inline-images]_\u0026amp;]:clear-end text-lg first:mt-0 md:text-lg [hr+\u0026amp;]:mt-4\" id=\"sound-character\"\u003eSound character\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"auto\" lang=\"en\" class=\"contents\"\u003e\n\u003cdiv class=\"break-words min-w-0 flex-1\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"prose dark:prose-invert inline leading-relaxed break-words min-w-0 [word-break:break-word] [\u0026amp;_\u0026gt;*:first-child]:mt-0 [\u0026amp;_\u0026gt;*:last-child]:mb-0\"\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe BL2’s core appeal is its ability to combine monitor-style focus with unusually full-scale musicality. Review coverage characterizes the speaker as plastic—meaning richly shaped and three-dimensional—lively, and impressive across a wide frequency range. Its 183 mm ER paper-cone mid\/bass driver gives instruments and voices body, density, and natural tonal color, while also supplying meaningful low-frequency extension for a bookshelf design. \u003cspan class=\"citation-nbsp\"\u003e\u003c\/span\u003e\u003cspan class=\"citation inline\"\u003e\u003cspan class=\"group\/trigger inline-flex min-w-0\"\u003e\u003cspan class=\"citation inline\" style=\"width: 69px;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"marker:text-secondary list-disc pl-8\"\u003e\n\u003cli class=\"py-0 my-0 prose-p:pt-0 prose-p:mb-2 prose-p:my-0 [\u0026amp;\u0026gt;p]:pt-0 [\u0026amp;\u0026gt;p]:mb-2 [\u0026amp;\u0026gt;p]:my-0\"\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003e\u003cstrong\u003eBass:\u003c\/strong\u003e Deep, controlled, and notably substantial for a stand-mount, with an in-room rated response down to 39 Hz. Expect convincing kick-drum weight, bass-guitar texture, and a sense of foundation that makes the BL2 appropriate for medium-to-larger rooms, assuming careful stand and room placement. \u003cspan class=\"citation-nbsp\"\u003e\u003c\/span\u003e\u003cspan class=\"citation inline\"\u003e\u003cspan class=\"group\/trigger inline-flex min-w-0\"\u003e\u003cspan class=\"citation inline\" style=\"width: 105px;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"py-0 my-0 prose-p:pt-0 prose-p:mb-2 prose-p:my-0 [\u0026amp;\u0026gt;p]:pt-0 [\u0026amp;\u0026gt;p]:mb-2 [\u0026amp;\u0026gt;p]:my-0\"\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003e\u003cstrong\u003eMidrange:\u003c\/strong\u003e The extended-band paper driver is intended to handle a broad portion of the spectrum, helping the BL2 maintain continuity through the vocal and instrumental range. The result should favor natural tonal density, believable image scale, and a cohesive, “single-source” sense through the mids. \u003cspan class=\"citation-nbsp\"\u003e\u003c\/span\u003e\u003cspan class=\"citation inline\"\u003e\u003cspan class=\"group\/trigger inline-flex min-w-0\"\u003e\u003cspan class=\"citation inline\" style=\"width: 129px;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"py-0 my-0 prose-p:pt-0 prose-p:mb-2 prose-p:my-0 [\u0026amp;\u0026gt;p]:pt-0 [\u0026amp;\u0026gt;p]:mb-2 [\u0026amp;\u0026gt;p]:my-0\"\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003e\u003cstrong\u003eTreble:\u003c\/strong\u003e The 19 mm silk-dome tweeter uses a shallow Mini-Horn loading, which supports dispersion and efficiency while retaining the smoother, less metallic character commonly associated with a well-executed soft dome. This is a speaker aimed at detail and openness, but not at the expense of ease or long-term listenability. \u003cspan class=\"citation-nbsp\"\u003e\u003c\/span\u003e\u003cspan class=\"citation inline\"\u003e\u003cspan class=\"group\/trigger inline-flex min-w-0\"\u003e\u003cspan class=\"citation inline\" style=\"width: 129px;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"py-0 my-0 prose-p:pt-0 prose-p:mb-2 prose-p:my-0 [\u0026amp;\u0026gt;p]:pt-0 [\u0026amp;\u0026gt;p]:mb-2 [\u0026amp;\u0026gt;p]:my-0\"\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003e\u003cstrong\u003eSoundstage and dynamics:\u003c\/strong\u003e With proper setup, the BL2 should image with strong solidity and scale rather than merely producing pin-point outlines. Its 90.5 dB sensitivity and broad 10–200 W suggested amplifier range suggest lively macrodynamics with a range of suitable amplifiers, including capable tube or solid-state designs. \u003cspan class=\"citation-nbsp\"\u003e\u003c\/span\u003e\u003cspan class=\"citation inline\"\u003e\u003cspan class=\"group\/trigger inline-flex min-w-0\"\u003e\u003cspan class=\"citation inline\" style=\"width: 69px;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eIn practical terms, the Figaro BL2 is likely to suit listeners who want a speaker that makes recordings feel energized and dimensional—one that can portray an intimate vocal recording with texture and presence, then move to rock, orchestral, or electronic music with more weight and headroom than the typical compact monitor.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"auto\" lang=\"en\" class=\"contents\"\u003e\n\u003cdiv class=\"break-words min-w-0 flex-1\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"prose dark:prose-invert inline leading-relaxed break-words min-w-0 [word-break:break-word] [\u0026amp;_\u0026gt;*:first-child]:mt-0 [\u0026amp;_\u0026gt;*:last-child]:mb-0\"\u003e\n\u003ch2 class=\"font-semibold leading-tight text-pretty mb-2 mt-4 [[data-has-inline-images]_\u0026amp;]:clear-end text-lg first:mt-0 md:text-lg [hr+\u0026amp;]:mt-4\" id=\"key-engineering-features\"\u003eKey engineering features\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"auto\" lang=\"en\" class=\"contents\"\u003e\n\u003cdiv class=\"break-words min-w-0 flex-1\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"prose dark:prose-invert inline leading-relaxed break-words min-w-0 [word-break:break-word] [\u0026amp;_\u0026gt;*:first-child]:mt-0 [\u0026amp;_\u0026gt;*:last-child]:mb-0\"\u003e\n\u003cdiv class=\"group relative my-[1em]\"\u003e\n\u003cdiv class=\"sticky top-0 z-20 h-0\" style=\"overflow: hidden; visibility: hidden;\"\u003e\n\u003cdiv class=\"absolute left-0 top-0 w-full overflow-hidden bg-raised border-x md:max-w-[90vw] border-subtlest ring-subtlest divide-subtlest\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"w-full overflow-auto scrollbar-subtle rounded-lg border md:max-w-[90vw] border-subtlest ring-subtlest divide-subtlest bg-raised\"\u003e\n\u003ctable class=\"[\u0026amp;_tr:last-child_td]:border-b-0 my-0 w-full table-auto border-separate border-spacing-0 text-sm font-sans rounded-lg [\u0026amp;_tr:last-child_td:first-child]:rounded-bl-lg [\u0026amp;_tr:last-child_td:last-child]:rounded-br-lg\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"border-subtlest p-2 min-w-[48px] break-normal border-b text-left align-bottom border-r last:border-r-0 font-bold bg-subtle first:border-radius-tl-lg last:border-radius-tr-lg\"\u003eFeature\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"border-subtlest p-2 min-w-[48px] break-normal border-b text-left align-bottom border-r last:border-r-0 font-bold bg-subtle first:border-radius-tl-lg last:border-radius-tr-lg\"\u003eWhat it is\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"border-subtlest p-2 min-w-[48px] break-normal border-b text-left align-bottom border-r last:border-r-0 font-bold bg-subtle first:border-radius-tl-lg last:border-radius-tr-lg\"\u003eWhy it matters\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-subtlest p-2 min-w-[48px] break-normal border-b border-r last:border-r-0\"\u003eTwo-way, sealed enclosure\u003c\/td\u003e\n\u003ctd class=\"border-subtlest p-2 min-w-[48px] break-normal border-b border-r last:border-r-0\"\u003eA 19 mm silk-dome tweeter and 18.3 cm mid\/bass driver in a closed-box design\u003c\/td\u003e\n\u003ctd class=\"border-subtlest p-2 min-w-[48px] break-normal border-b border-r last:border-r-0\"\u003eSupports controlled bass behavior, clean transient response, and flexible placement nearer a rear wall. \u003cspan class=\"citation-nbsp\"\u003e\u003c\/span\u003e\u003cspan class=\"citation inline\"\u003e\u003cspan class=\"group\/trigger inline-flex min-w-0\"\u003e\u003cspan class=\"citation inline\" style=\"width: 129px;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-subtlest p-2 min-w-[48px] break-normal border-b border-r last:border-r-0\"\u003eER paper-cone driver\u003c\/td\u003e\n\u003ctd class=\"border-subtlest p-2 min-w-[48px] break-normal border-b border-r last:border-r-0\"\u003e“Extra Rigid” paper diaphragm reinforced with fibers\u003c\/td\u003e\n\u003ctd class=\"border-subtlest p-2 min-w-[48px] break-normal border-b border-r last:border-r-0\"\u003eCombines the internal damping associated with paper with greater stiffness, helping suppress resonances and preserve clarity at higher output. \u003cspan class=\"citation-nbsp\"\u003e\u003c\/span\u003e\u003cspan class=\"citation inline\"\u003e\u003cspan class=\"group\/trigger inline-flex min-w-0\"\u003e\u003cspan class=\"citation inline\" style=\"width: 97px;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-subtlest p-2 min-w-[48px] break-normal border-b border-r last:border-r-0\"\u003eExtended-band driver operation\u003c\/td\u003e\n\u003ctd class=\"border-subtlest p-2 min-w-[48px] break-normal border-b border-r last:border-r-0\"\u003eThe mid\/bass driver is engineered to work unusually high into the midrange before handing over to the tweeter\u003c\/td\u003e\n\u003ctd class=\"border-subtlest p-2 min-w-[48px] break-normal border-b border-r last:border-r-0\"\u003eAllows the crossover to sit at 4 kHz, away from the especially sensitive 1–1.5 kHz region of hearing, reducing the audibility of crossover-related discontinuities. \u003cspan class=\"citation-nbsp\"\u003e\u003c\/span\u003e\u003cspan class=\"citation inline\"\u003e\u003cspan class=\"group\/trigger inline-flex min-w-0\"\u003e\u003cspan class=\"citation inline\" style=\"width: 129px;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-subtlest p-2 min-w-[48px] break-normal border-b border-r last:border-r-0\"\u003eMini-Horn tweeter loading\u003c\/td\u003e\n\u003ctd class=\"border-subtlest p-2 min-w-[48px] break-normal border-b border-r last:border-r-0\"\u003eA shallow waveguide around the silk dome\u003c\/td\u003e\n\u003ctd class=\"border-subtlest p-2 min-w-[48px] break-normal border-b border-r last:border-r-0\"\u003eHelps control radiation and supports integration with the mid\/bass driver without requiring a large horn structure. \u003cspan class=\"citation-nbsp\"\u003e\u003c\/span\u003e\u003cspan class=\"citation inline\"\u003e\u003cspan class=\"group\/trigger inline-flex min-w-0\"\u003e\u003cspan class=\"citation inline\" style=\"width: 129px;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-subtlest p-2 min-w-[48px] break-normal border-b border-r last:border-r-0\"\u003eCabinet-in-a-cabinet construction\u003c\/td\u003e\n\u003ctd class=\"border-subtlest p-2 min-w-[48px] break-normal border-b border-r last:border-r-0\"\u003eSeparate inner and outer enclosures with a viscoelastic polyurethane layer between them\u003c\/td\u003e\n\u003ctd class=\"border-subtlest p-2 min-w-[48px] break-normal border-b border-r last:border-r-0\"\u003eDesigned to dissipate cabinet vibration, reducing enclosure coloration and helping preserve low-level resolution. \u003cspan class=\"citation-nbsp\"\u003e\u003c\/span\u003e\u003cspan class=\"citation inline\"\u003e\u003cspan class=\"group\/trigger inline-flex min-w-0\"\u003e\u003cspan class=\"citation inline\" style=\"width: 97px;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-subtlest p-2 min-w-[48px] break-normal border-b border-r last:border-r-0\"\u003eInverted driver layout\u003c\/td\u003e\n\u003ctd class=\"border-subtlest p-2 min-w-[48px] break-normal border-b border-r last:border-r-0\"\u003eTweeter mounted below the mid\/bass driver\u003c\/td\u003e\n\u003ctd class=\"border-subtlest p-2 min-w-[48px] break-normal border-b border-r last:border-r-0\"\u003eA distinctive implementation intended to optimize driver integration and listening-axis behavior. \u003cspan class=\"citation-nbsp\"\u003e\u003c\/span\u003e\u003cspan class=\"citation inline\"\u003e\u003cspan class=\"inline-flex\"\u003e\u003ca rel=\"noopener\" class=\"inline-flex max-w-full min-w-0\" href=\"https:\/\/www.hfc.com.pl\/test\/5815,audiosolutions-figaro-bl2.html\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"auto\" lang=\"en\" class=\"contents\"\u003e\n\u003cdiv class=\"break-words min-w-0 flex-1\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"prose dark:prose-invert inline leading-relaxed break-words min-w-0 [word-break:break-word] [\u0026amp;_\u0026gt;*:first-child]:mt-0 [\u0026amp;_\u0026gt;*:last-child]:mb-0\"\u003e\n\u003ch2 class=\"font-semibold leading-tight text-pretty mb-2 mt-4 [[data-has-inline-images]_\u0026amp;]:clear-end text-lg first:mt-0 md:text-lg [hr+\u0026amp;]:mt-4\" id=\"amplifier-and-setup-notes\"\u003eAmplifier and setup notes\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"auto\" lang=\"en\" class=\"contents\"\u003e\n\u003cdiv class=\"break-words min-w-0 flex-1 flow-root\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"prose dark:prose-invert inline leading-relaxed break-words min-w-0 [word-break:break-word] [\u0026amp;_\u0026gt;*:first-child]:mt-0 [\u0026amp;_\u0026gt;*:last-child]:mb-0\"\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eAlthough the 90.5 dB sensitivity is healthy, the nominal 4-ohm load means the BL2 will benefit from an amplifier that is comfortable delivering current and maintaining composure into lower impedances. A genuinely robust 50–100 watt solid-state integrated amplifier—or a suitably capable tube design—would be a sensible starting point; its stated 10–200 W range leaves substantial flexibility. \u003cspan class=\"citation-nbsp\"\u003e\u003c\/span\u003e\u003cspan class=\"citation inline\"\u003e\u003cspan class=\"group\/trigger inline-flex min-w-0\"\u003e\u003cspan class=\"citation inline\" style=\"width: 105px;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eUse rigid, appropriately tall stands, give the speakers some room to image, and experiment with toe-in. The sealed, cabinet-in-cabinet architecture is specifically positioned as making near-wall placement more feasible than many rear-ported alternatives, though some breathing room will still help maximize depth and separation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audio Solutions","offers":[{"title":"Pearl White","offer_id":61151019499660,"sku":null,"price":7699.0,"currency_code":"USD","in_stock":true},{"title":"Zinc Grey","offer_id":61151019532428,"sku":null,"price":7699.0,"currency_code":"USD","in_stock":true},{"title":"Dark Grey","offer_id":61151019565196,"sku":null,"price":7699.0,"currency_code":"USD","in_stock":true},{"title":"GT Silver","offer_id":61151019597964,"sku":null,"price":7699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/3308\/9164\/files\/asfigarobl2pearlwhite.png?v=1790090223","url":"https:\/\/www.ttvjaudio.com\/products\/audiosolutions-figaro-bl2-2-way-bookshelf-speaker","provider":"TTVJ Audio","version":"1.0","type":"link"}