In addition to the 4 standard model configurations available , you can also custom configure your AudioSolutions Figaro Speakers to fit your personal style and taste. Built them with an assortment of colors and custom upgrades.

Click here and create the speakers of your dreams!

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Pricing varies in accordance with your custom configuration. We can help you configure your speakers or you can do it yourself at the above link. Call us with your custom configuration code or for assistance creating your own speakers at 406-285-3910

Meet the all-new Figaro! An evolution of our most successful speaker series. Five years have passed since the original Figaro was introduced in 2018 and yet we are pushing the limits once again. The new Figaro is vastly improved in all aspects. Embrace a new modern design with brass metal accents and satin color options. We give you a remarkable tandem of performance and design where science meets art.

Description

Figaro! maintains timeless AudioSolutions design. Designed to be easily driven by most amplifiers and with the ability to be placed very close to the wall. Figaro's task is to make your life easier with as simple as possible setup, cable, and amplifier matching. We wish you many great moments while listening to your Figaro. 

Features

Three-way speaker system designed with Mini-Horn loaded silk dome tweeter and our unique midrange driver which works in extended mid-band effectively making it an Extended-Band driver, allowing us to push crossover frequencies of the drivers further away from the most critical area for the human ear - 1000-1500Hz and thus reduce crossover distortions and perception of them. Two whole new re-designed ER (Extra Rigid) hard paper cone bass drivers deliver faster and deeper bass response and improve overall sound clarity.

The Cabinet-In-a-Cabinet enclosure system taken from upper scale Virtuoso series contributes to a complex closed system that eliminates unwanted resonances by turning acoustical energy into heat, allowing all drivers to perform with precision and dynamics. 

Figaro features outriggers with height-adjustable spikes, WBT NextGen connection terminals with bi-amping for models L and XL, and also a whole new 6 unique never seen before satin finishes with brass metal accents.

Specifications

Dimensions speaker only (HxWxD) : 1108mm x 272mm x 472mm; 44.1 x 10.7 x 18.6in

Dimensions with outriggers (HxWxD) : 1138mm x 396mm x 472mm; 44.8 x 15.6 x 18.6in

Weight : 45 kg/99 lbs each

Shipping weight : 49 kg/108 lbs each

Sensitivity : 91.5 dB @ 2.83V 1m

Suggested amp power : 10-300 W;

Impedance : nominal 4,0 ohms

Crossover frequency : 400 Hz; 4000 Hz

Frequency response (in-room environment) : 30-25000 Hz

Drivers : 19mm silk dome tweeter, 15.2cm ER paper cone mid, two 18.3cm ER paper cone bass drivers

Mini Horn Loading

Figaro utilizes a Mini-Horn loading technology to cope with the infamous soft domes problem - cone breakup and cone "walk". Cone breakup and "walk" happens when a soft dome tweeter is being driven hard at high signal levels. Distortions rise exponentially because: 

a) when a certain point in signal level and thus dome acceleration/amplitude is reached, the center part of the dome flexes in an uncontrolled fashion due to the silk's soft nature

b) differences in air pressure behind the dome and in front of the dome creates a nonlinear environment and overcome suspension ability to prevent axial movement of the cone

Our Mini-Horn is based on acoustical dampening which happens at the frontal dome area. We carefully measure at which frequencies the dome starts to flex and emit an avalanche of distortions. Mini-Horn then is designed and manufactured according to desired specifications to dampen those frequencies. The result is a proportional dampening of the tweeters’ movement. The louder it plays the more dampening and air pressure on the frontal area it gets from its own emitted sound. It is described as acoustical impedance and is highly dependent on the Mini-Horn's shape. Another positive by-product of this process is that Mini-Horn adds sensitivity and thus the efficiency of the driver.

Expanded Band Midrange

The human ear has uneven sensitivity to different frequencies. We are naturally less sensitive to high frequencies and especially to low frequencies. The exception is sensitivity to mid frequencies in the 1000-2000Hz band due to evolution. Simply put - in nature, the sounds of life-threatening events lie more or less in 1000-2000Hz diapason, so naturally, we are most sensitive to that so we could stay alert. The downside of this phenomenon in this rather safe modern world is that we can hear and pinpoint the slightest imperfections in reproduced sound at those frequencies. And imperfections in sound reproduction are called distortions.

Most of the manufacturers calculate crossover points in exactly this area of 1000-2000Hz. Since each driver has its natural spectrum of distortions we actually can hear the transition from one driver to another, let alone an additional distortions caused by the crossover phase shift. The resulting sound is described as an unnatural or multi-way sound. It is not possible to completely eliminate natural-born driver's distortions or the phase shift in crossover which is mathematically tied to how db/oct crossover is calculated. The only way to fight this is to utilize crossover points away from this region of 1-2kHz. For that reason, we created an Extended Band Midrange driver. Crossover points of 400-4000Hz are one octave away from the sensitive band. Not only this solution helps with crossover distortion perception but the listener gets uniform, unchopped sound coming from one driver with virtually zero phase shift.  Homogenous sound in our opinion is one of the biggest goals in the audio industry.

Cabinet In A Cabinet System

The new Figaro! speakers share a Cabinet-In-a-Cabinet enclosure design. This system is based on two separate enclosures - an inner cabinet and an outer cabinet bonded together by a thin layer of Polyurethane. The inner cabinet is manufactured of a lightweight yet rigid material that controls primary vibrations by absorbing acoustical power coming from the drivers. Then a thin layer of viscous Polyurethane situated in between the inner and outer cabinets acts as a dampening layer which converts vibrations born in the inner cabinet to heat. The residue of vibrations is then dampened by the outer cabinet which is manufactured of a much heavier and less dense material that acts as a mass damper.

ER Cone Bass Drivers

Second generation Figaro speaker utilizes re-designed bass drivers with ER paper cones. Er stands for Extra Rigid paper. It is actually visible on the cone surface as flakes of hard pulp and fibers and is natural to rigid cones. ER paper cones were chosen due to all the pros of traditional paper cones and the pros of hard material cones. Hard cones (metal, ceramic, etc.) provide uniform push-pull movement where all cone's points act as a uniform piston which is desirable. Con is that hard cones have the potential to have early break-up points and ringing due to a lack of dampening properties inside the material itself. Paper on the other hand does not have break-up points as it is quite soft and flexible but it does not act as a piston, and usually, the edge of the paper cone are fluttering, and all cone is flexing. Having positive properties of paper and introducing hardening materials like sturdy fibers and hard pulp gives us a unique cone that acts as a piston, but at the same time does not have ringing or early cone breakup points. ER cones allowed us to introduce new piston-like bass drivers and of course our Extended Band Midrange.

Exclusive Personalization Program

AudioSolutions' Exclusive Personalisation team is ready to help you to customize your speaker. Please address us for custom coloring or style. We can do small changes and we can make completely tailor-made speakers. Our team works in conjunction with architects, and designers and is ready to make a one-of-one product for your living room. 

Please visit MY.AUDIOSOLUTIONS.LT to use our speaker configurator and design your speakers the way you like them best.

So, How does it sound???

The AudioSolutions Figaro M2 sounds like a big, mature, highly resolved three-way rather than a “hi-fi spectacular” that relies on overt treble or inflated mid-bass. Its character  is smooth, natural, spacious, and relaxed—but with unusually strong bass control and a notably clear, communicative midrange.

Overall character

Expect a presentation that is:

• Balanced and unforced. The M2 is repeatedly described as easygoing, elegant, and natural across genres, rather than forward, aggressive, or hyper-etched. It should suit long listening sessions particularly well.

• Large in scale. It throws a broad, deep soundstage with generous dispersion; with the listening area exceptionally wide rather than limited to a narrow center-seat sweet spot.

• Clean through voices and instruments. The midrange is a particular strength: precise, transparent, and low in apparent coloration. Vocals have body and clarity, while piano, acoustic instruments, and complex mixes are said to retain texture and separation.

• Smooth but open on top. Its silk-dome, mini-horn-loaded tweeter is not portrayed as hard or metallic. The treble is smooth, airy, and lightly sparkling—enough extension to convey ambience and image depth without turning recordings harsh or brittle.

• Powerful, fast low end. Rather than sounding thick or loose, the twin dedicated paper-cone woofers produce deep, impactful bass with strong definition and control. That matters with kick drum, electric bass, orchestral weight, and electronic material: it should sound substantial without masking the midband.

How it likely presents music

Why it sounds that way

The M2 is a true three-way design: a 19 mm silk-dome tweeter, a dedicated 152 mm paper-cone midrange, and two 183 mm paper-cone bass drivers. The 400 Hz and 4 kHz crossover points keep the central midrange—where hearing is especially sensitive—within a dedicated driver’s operating range. AudioSolutions also uses a cabinet-in-a-cabinet construction intended to suppress enclosure resonances. Those choices align with reviewers’ impressions of vocal clarity, clean transients, image stability, and controlled bass.

The revised M2 also uses purpose-designed woofers rather than asking its mid/bass units to cover both the lower midrange and bass. That is a plausible reason its bass is described as more articulate and less congested than expected from a relatively large, ported tower.

Amplifier matching caveat

Despite its published 91.5 dB sensitivity, the Figaro M2 is not necessarily an easy electrical load. Independent measurements cited in reviews put its impedance minimum around 2.4–2.6 ohms, including a low point in the upper-midrange region. It will benefit from an amplifier with genuine current delivery and stability into low impedance—rather than simply a low-powered amp chosen on the basis of the sensitivity figure.

Bottom line

If your reference is a speaker that sounds explicit, ultra-forward, and sharply etched, the Figaro M2 is likely to come across as more natural, composed, and tonally sophisticated. If you value wide staging, vocal realism, authoritative but disciplined bass, and treble that supplies air rather than glare, it appears to be one of the more compelling high-end all-rounders in its class. Its strongest calling cards are the combination of a lucid midrange, powerful controlled low end, and a relaxed sense of musical ease.